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The Christian Travelers Guide to France
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Sample texts from The Christian Travelers Guide to France
By Mark Konnert;
Peter & Carine Barrs
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See the art of David
slide show.
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Links to Websites for
places mentioned in
the Christian Travelers
Guide to France
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Montauban:
has been a Protestant stronghold ever since the Reformation, and in
the nineteenth century, The Institut Jean Calvin played a very important
role in training pastors during the Protestant Reveil(Revival). Adolph
Monod, one of France's great Protestant preachers and theologians
taught at the Seminary in Montauban from 1836-1847. The Reveil took
place between 1818 and 1840, and as with John Wesley in England, was
characterized by a return to the historic theology of Calvin, Luther
and the first Reformers. During the the eighteenth century, the Protestant
church as well as the Catholic church was deeply influenced by Enlightenment
notions of a deist "natural religion" in which Christ ceased to be
Savior and Son of God.
The Reveil was engineered
by both foreign evangelists, mostly from Britain and Switzerland, and
by Frenchmen such as the Monod brothers (Adolph and Frédéric) and Antoine
Vermeil. In the tradition of the Désert churches, much of the preaching
was done in the open air using portable pulpits. The Reveil met with
moderate success but at least had the result of reintroducing Protestantism
into areas where it had been completely eradicated by the 100 years
of persecutions that followed the revocation of the Edict of Nantes.
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David was the great painter of the French Revolution
and Napoleonic era which he portrayed against the background of classical
antiquity.
This sequence begins with his Leonidas at Thermopylea.
It commemorates the 300 Spartans who died defended the pass of Thermopylea
against an army of over 10,000 Persian troops. This heroic action
give the Greeks city states enough time to organize their defenses
and repulse the Persian invasion.
This is followed by the Death of Socrates. The
Oath of the Horatii follows. Both portraying people who preferred
death to enslavement.
This first sequence ends with his dramatic death of
the Revolutionary leader Marat.
These dramatic pictures, all of which extol revolutionary
virtue, are followed by a series depicting the rise of Napoleon from
a cavalry officer to Emperor.
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Noyon |
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Société de l'Histoire du
Protestantisme Français (Society for the History of French Protestantism)
Just north of St-Germain at 54 rue des Saints-Pères, lies the headquarters
of the Société de l'Histoire du Protestantisme Français, founded in
1865. The society runs a library and museum dedicated to the history
of French Protestantism, and publishes a scholarly journal dedicated
to the subject. It is also responsible for other key sites in the
history of French Protestantism: the memorial at WASSY, the Musée
du Désert in ANDUZE, the Musée Jean Calvin (John Calvin Museum) in
NOYON, and the Huguenot Memorial on Ile Ste-Marguerite in the ILES
DES LÉRINS. Fittingly, the motto of the society is "post tenebras,
lux:" "After darkness, light."
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| The
Louvre in Paris |

Claude Monet
Cathedral at Rouen

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The first building to stand
on this site was a fortress built by Philip Augustus in 1200 to protect
the weakest point in the new walls he had built for the growing city.
This was enlarged and converted into a palace by Charles V (1364-80),
who preferred its more secure confines after the rebellion of Etienne
Marcel. The foundations of this medieval fortress have excavated and
can be viewed below the Cour Carrée. In the fifteenth century, kings
preferred to reside elsewhere, principally in the Loire valley. Francis
I (1515-47), however, embarked on an ambitious building program, which
was carried on after his death by Catherine de Medici. This resulted
primarily in the construction of the Tuileries Palace, at the far
end of the Jardin des Tuileries. Louis XIV, though he destested Paris
and preferred Versailles completed construction of the Cour Carrée
in a severely neo-classical style. During his reign, and throughout
the eighteenth century while the court resided in Versailles, the
Louvre was occupied by a ragtag army of artists and squatters. It
was to the Tuileries Palace that Louis XVI and Marie Antoinette were
brought back by the crowd of Parisian women in October 1790. In 1792,
a mob broke into the palace, causing the king and queen to seek refuge
with the revolutionary government, resulting ultimately in the abolition
of monarchy and France being declared a republic.
It was during the Revolution,
in 1793, that the Louvre was converted into a museum to display the
artworks of the royal collections. Both Napoleon I and Napoleon III
added extensively to the Louvre, connecting it with the Tuilieries
to form a giant enclosed space. During the Commune, the Tuileries
was burned to the ground. In the 1980s under President François Mitterand,
the Grand Projet du Louvre was undertaken. This was to provide the
museum with a much-needed main entrance--the famous glass pyramid
designed by the Chinese-American architect I.M. Pei. It also renovated
and expanded the exhibition space. In order to achieve this, the offices
of the Ministry of Finance were relocated from the north wing. The
renovated museum, the largest in the world, was opened by President
Mitterand in 1993, 200 years after the museum was first opened to
the public. The museum: Louis XVI first envisioned the idea of turning
the Louvre into a museum, but it was the Convention in 1793 that actually
opened the Grand Gallery to the public. Napoleon made the museum the
richest in the world, and though the Allies regained much of what
Napoleon had taken, purchases and gifts have since made the Louvre
one of the greatest art and ancient civilisation museums (Egypt, Greece,
Rome) in the world.
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